Program installation – Noo More http://noomore.org/ Sat, 27 Nov 2021 04:53:55 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://noomore.org/wp-content/uploads/2021/10/cropped-icon-32x32.png Program installation – Noo More http://noomore.org/ 32 32 Windows 11 and 10, how to download your installation ISOs in seconds? https://noomore.org/windows-11-and-10-how-to-download-your-installation-isos-in-seconds/ Sat, 27 Nov 2021 04:53:55 +0000 https://noomore.org/windows-11-and-10-how-to-download-your-installation-isos-in-seconds/

Microsoft provides Windows 10 and Windows 11 as an update if the personal computer allows it. This response has the advantage of being currently simple and rather transparent for the consumer. It is also constrained, which is why there are several possibilities, as well as ISO restore.

These images allow you to burn to DVD to create installation media. A USB device can also be used as a USB memory. It is also a resolution to put both OS equally in digital environments. Microsoft offers its own tool to recover these documents.

However, this utility only provides ISO photographs of the most recent versions. For example, when setting up a characteristic update, the instrument will quickly give access to this new edition and not to the original version of Windows. Moreover, we simply cannot recover the ISO photos revealed in the “Insider” section of the program. They are available but not with this resource.

Windows 10 and 11 and their configuration ISOs

One particular option to get closer to these limitations is to go to the “TechBench” website. Through a simple browser, this service works on any gadget and any work process.

It does not require administrator or registration rights and features ISO images of many versions of identical working methods. The checklist is not complete, but the perspectives are diverse. For Windows 11 we have two buids, 22000.194 and 22000.318, while for Windows 10 the selection is much larger.

The action plan boils down to

  • Go to the site of TechBench,
  • Decide what you want to download (Windows, Business office, etc.),
  • Specify the ideal variant of Windows 10 or Windows 11,
  • Specify the ideal language,
  • then display the desired architecture, usually x64.

All you have to do is click on Get. The file’s resource comes from Microsoft’s servers.

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RoundGlass Foundation commemorates installation of 100 waste management facilities https://noomore.org/roundglass-foundation-commemorates-installation-of-100-waste-management-facilities/ Fri, 26 Nov 2021 10:11:12 +0000 https://noomore.org/roundglass-foundation-commemorates-installation-of-100-waste-management-facilities/

Hardaspur: The Mohali-based RoundGlass Foundation commemorated the successful installation of 100 waste management projects at an event in the village of Hardaspur near Patiala. The aim of the event was to bring together and congratulate the sarpanches, waste pickers and members of young village clubs who worked with the Foundation to set up and manage these waste management facilities in 100 villages.

Sandeep Hans (IAS), Deputy Commissioner, Patiala, addressed and congratulated the sarpanches. Three sarpanches were selected to share their experience of working with the Foundation on this project. The event was held in compliance with all COVID-19 protocols.

Speaking on occasion, Sandeep Hans, Deputy Commissioner, Patiala, said: “This is indeed an important step in our journey to create a cleaner and more sustainable Punjab through sustainable and efficient waste management systems. The best thing about the RoundGlass Foundation waste management program is community involvement – the team mobilizes and educates the local community to adopt and maintain solid waste management systems, ensuring their participation in the cleanup of their villages.

Venkatesh ‘Venky’ Raghavendra, strategic advisor to the Foundation, said, “We aim to reach all villages in Punjab and engage with the community on the importance of waste management and proper waste disposal. Our efforts have created jobs, reduced stress on village landfills and helped clean up local water bodies. Our commitment to create a cleaner and healthier Punjab and to enable holistic life of well-being for its people, in line with our mission, has only grown stronger with the establishment of our 100th waste management facility. .

RoundGlass Foundation transforms the villages of Punjab and helps people to live better. The Foundation is partnering with the government of Punjab to implement a decentralized model of segregation for composting and recycling for efficient, profitable and sustainable waste management. State and local governments provide 70-75% of the cost of the project in the form of grants and the Foundation covers 20-25% of the cost.

Over the past three years, the Foundation has implemented waste management projects in 100 villages, creating as many jobs and impacting 15,000 households. The projects cover 14 districts, including Fatehgarh Sahib, Patiala, Ludhiana, Mohali, Mansa, Rupnagar, Bathinda, Moga, Gurdaspur, Kapurthala and Nawanshahr.

In addition to setting up a waste management facility in each village, the program appoints door-to-door waste collectors who are trained to collect household waste on a daily basis. The team also organizes workshops to make residents aware of the importance of sorting and waste management. In addition, it helps to clean up villages and rejuvenate local bodies of water with a view to preserving the environment. Since the implementation of the program, villages have transformed waste into more than 100 tonnes of compost available to farmers.

It is the only waste management initiative of this scale in Punjab, spread over 14 districts and impacting 15,000 households across villages.

The event also featured a film titled “Women Building a Cleaner Punjab” on the waste management program directed by internationally acclaimed director Gurvinder Singh, known for his award-winning national projects Anhe Ghore Da Daan, Chauthi Koot and Khanaur, between others.

(CSR India)

Source:
India RSE I November 26, 2021

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Review: an art installation in San José sounds about “the strangeness of the truth” every day at noon https://noomore.org/review-an-art-installation-in-san-jose-sounds-about-the-strangeness-of-the-truth-every-day-at-noon/ Wed, 24 Nov 2021 12:04:09 +0000 https://noomore.org/review-an-art-installation-in-san-jose-sounds-about-the-strangeness-of-the-truth-every-day-at-noon/
Interior of the clock tower of the San Jose Museum of Art. Photo: Richard J. Karson

A rapid catastrophic scroll on social media quickly confirms that we no longer all agree on what were once called “facts.” Disorienting arguments about the truth besiege us 280 characters at a time when we are isolated on personal devices, separated from everything but the ongoing clashes.

Trevor Paglen’s new sound piece at the San José Museum of Art surprises us with our solitary absorption into a strange community experience. Installed outside the museum rather than inside, “There Will Come Soft Rains” subversively penetrates the public space, resounding in the plaza outside the museum.

Paglen’s first sound piece ‘There Will Come Soft Rains’ joins the South Bay Museum’s Beta Space program, which invites artists to create experimental works. It is installed for an extended period of one year, ending next November.

Paglen is no stranger to the Bay Area. He grew up here and received his bachelor’s and doctoral degrees in geography from UC Berkeley. He has exhibited at the Berkeley Art Museum, the Altmann Siegel Gallery in San Francisco, and the San Francisco Museum of Modern Art and is known for his research on the invisible parts of our contemporary world: the Internet, surveillance drones, black sites. .

Artist Trevor Paglen Photo: Christine Ann Jones / Supplied by Trevor Paglen and Altman Siegel, San Francisco

The room announces with a familiar chime. On time, and once a day at solar noon, loudspeakers attached to the museum’s historic clock ring like a bell before delivering a series of factual messages that become increasingly disturbing for a brief minute.

After the announcement chime, we hear the ticking, followed by the current weather as read by curator Kathryn Wade described as the voice of “a bossy mid-century white man, kind of like someone who speaks through the stadium intercom “.

For those of us of a certain age, hearing the exact time to the second read by a robotic voice is reminiscent of POP-CORN, the old telephone service used to know the exact time. (AT&T shut down the service in 2007 with the rise of cellphones.)

The familiar, though anachronistic, fact of the time of day is followed by an assortment of information. Forcing us to recognize the specificity of our own moment in time, the loudspeakers announce the temperature recorded on that date 50 years ago. Other reports include news on endangered species, the number of acres in California currently on fire, Jeff Bezos’ current net worth, or the top 10 Facebook posts in the past 24 hours.

Sure, you can check out the top Facebook posts yourself, but have you ever shared this information with other people? Paglen leaves us no choice. Rather than ringing only inside the museum in a dark, padded box, Paglen’s piece projects across the plaza in front of the building into Cesar Chavez’s Plaza across the street, and down to Tech Museum, the Cathedral Basilica of Saint Joseph, and the corner of Market and San Carlos streets, although slightly so far.

Exterior of the historic clock tower of the San Jose Museum of the Arts. Photo: Frédéric Liang

“One of the things I heard yesterday was the number of police murders in the United States and I was like, ‘Whoa… that wasn’t information I expected to hear in a public place. “”, recalls Wade, who notes that the experience is disorienting – in a good way.

This “strangeness of truth,” as Paglen calls it, aims to unite listeners in a shared experience. And there is something a little optimistic about it. After all, art hopes for an audience, and Paglen hopes we will reflect on “these tropes of how our truths are formed, how time is bounded, (and) what this relationship is between institutions and communities and shared experiences ”.

It’s poignant to think of this play in San José, in the heart of Silicon Valley. Facebook, now known as the Meta, can be found just up the 101 freeway. These are the modern versions of civic clock towers precisely regulating the hours of the day. Paglen’s hourly striking announcements echo those regimented civic clocks installed by governments in Renaissance Europe that wrested control of time from the variable chimes of church towers that responded to dawn and dusk. twilight, human time.

If you want to schedule your visit (pun intended), arrive a little before noon. With the end of daylight saving time, “There Will Come Soft Rains” rings at solar noon (11:51 this time of year) and a few minutes later at official noon, when you hear the competition from the bells of St. that of Joseph.

Beta space: Trevor Paglen “There will come soft rains”: Sound installation. from 11 p.m. to 6 p.m. from Friday to Sunday; open until 8 p.m. on the first Friday of the month. Until November 6. $ 10 adults; $ 8 seniors; free for students, teachers and those 17 and under. San José Museum of Art, 110 S. Market St., San José. 408-271-6840. sjmusart.org



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Connection through a cultural art installation https://noomore.org/connection-through-a-cultural-art-installation/ Sat, 20 Nov 2021 16:00:41 +0000 https://noomore.org/connection-through-a-cultural-art-installation/
Photo by Yzeppa Macias | MSU Denver Department of Modern Languages ​​art installation on the second floor of the Plaza building.

Over the summer, MSU Denver’s Modern Languages ​​Department installed student-created artwork on the windows outside the Plaza building on the second floor.

Maria Akrabova, who has chaired the department since 2015, said in an interview with the Metropolitan that she came up with the idea of ​​using the exterior windows of the second-floor office buildings as a space apart from to showcase art created by students at MSU Denver.

“Our aim was to create a more integrated sense of community, both among students and faculty and our own modern languages ​​department, and to have it in some way as a pull factor for potential students and for the larger campus community as well. Akrabova said.

Because of campus signage policy of the Auraria Higher Education Center (AHEC) which declared that “the publication of announcements, leaflets, posters, advertisements, leaflets or printed materials of any kind is prohibited anywhere on the Auraria campus” , including outside buildings. Akrabova was unable to exhibit any type of artwork outside the building, until last semester, when AHEC finally allowed the department to display the mural.

“AHEC was ready to welcome campus initiatives again and it was our return to campus – come back to a colorful space that will bring you some joy,” Akrabova said. “The fact that you are in the heart of the university, looking at the skyline and enjoying the mountains as well.”

The eight students who participated were part of the Studio M class in the spring, which is a Communication Design class where students earn internship credits.

After connect themes between different identities, cultures and ethnicities through different Ideas that started with food and went through color, the project students came up with the concept of representing cultures from around the world through their textile patterns.

Sarah Barz, who specializes in design communication, told the Metropolitan: “We ended up using textiles as a source of inspiration because every culture, no matter where it is in the world, all has a unique textile component and that really inspired a lot of visual choices. ”

According to students working on the project, “Textiles and patterns are an important element for cultures around the world. Based on the seven languages ​​taught in the department, these visuals represent the traditional patterns and textiles found in these specific cultures. They create a sense of community among the cross cultures found on campus.

The main objective of this project was to create a sense of community among the students and the Modern Languages ​​Department, in order to accomplish it, the students had to find relevant cultural models that represented each culture.

In essence, it was just culturally relevant imagery. And trying to make sure that whatever colors we choose, they would be representative of the language, culture and people in one way or another and that’s really what we found very important. Said Barz.

For some students, the creation of this project had a personal impact as they were able to connect to their roots and their culture.

Reinna Florez, another student who was involved in the design process for this project, said it was something personal for her.

Florez worked on the Spanish section and she said it was interesting to know more about the pyramid of Chichen Itza which is integrated into the artwork.

“Just being able to connect with my culture was very important to me,” she said. “It was very informative and a learning experience as I didn’t grow up speaking Spanish but try to learn as I go.”

For John Gearhart, the process of working with the class was enjoyable as it was a long process of researching different cultures, models and cultural conceptions. Make sure they represent all cultures fairly, “It’s just like being able to get this deeper richness of culture but also being able to produce something,” Gearhart said.

Gearhart worked on the Korean play and mentioned that it had a personal impact on him since he’s half Korean, “It was fun to be able to specifically examine what is considered a traditional Korean pattern or what is commonly used or the colors commonly found in designs.” “It was actually a really fun project to research and design, because there was a little personal touch as well,” he said.

Akrabova hopes this can be an annual event and change the theme of the installation every year.

“[Art] is so crucial and central to the human experience and every moment that could be presented and brought to light is something that makes me personally very happy. Akrobova said.

The students who designed the mural were Sarah Barz, Ashley LaFrance, Eric Sanchez Medel, John Gearhart, Kiran Majid, Moussa Sakouk, Reinna Florez and Sarah Steck.

The installation is a heat-treated vinyl that is visible from inside the office and does not block natural sunlight from entering the space.

All the parts are crossed by a wave which connects them and makes them flow in one part. According to Gearhart, “it was meant to be inviting to show that we welcome all who are representative to our campus.”

All the window represents one language in the department and three additional languages ​​in the Directed Independent Language Studies (DILS) program.

The seven languages ​​taught by the department are Chinese, ASL, French, Italian, Japanese, German and Spanish.

The languages ​​of the DILS program are Russian, Portuguese and Korean.

AHEC gave the department permission to exhibit the mural for one calendar year. The facility will remain until August 2022.


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Wood from Madison Square Park art installation donated to Bronx-based youth empowerment organization https://noomore.org/wood-from-madison-square-park-art-installation-donated-to-bronx-based-youth-empowerment-organization/ Sat, 20 Nov 2021 12:30:36 +0000 https://noomore.org/wood-from-madison-square-park-art-installation-donated-to-bronx-based-youth-empowerment-organization/